A group of travelers are forced to seek shelter inside an abandoned jail where a notorious nun named Sister Monday had once been assigned and was suspected of murdering prisoners.
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When their plans for a nature trip go awry, Polly and boyfriend Seth decide to check into a motel. On their way, they’re carjacked and kidnapped by low-rent crooks Dennis and Lacey, who take the victims and their SUV to a nearby gas station. Along the way, they encounter an increasingly terrifying horde of parasites, and if any of them intend to survive, they’ll have to outsmart the deadly organisms.
When five sorority girls inadvertently cause the murder of one of their sisters in a prank gone wrong, they agree to keep the matter to themselves and never speak of it again, so they can get on with their lives. This proves easier said than done, when after graduation a mysterious killer goes after the five of them and anyone who knows their secret.
The Desmond – the building’s pleasant sounding name hides a troubled past. The high rise has a long history of fires, murders, madness and even colonial era genocide upon the site. The towering building has stood empty for the better part of a century and even squatters dare not enter it’s fortress like walls. But now Johnny Craig, the host of the popular TV paranormal investigation show ‘America’s Most Haunted’ is planning to do a prime-time special from inside The Desmond. With no known way in, or out, Craig has contacted a group of urban explorers to help him and his film crew enter the building. But when Craig and his team set foot inside The Desmond the events that caused the building to be abandoned in the first place begin to repeat.
The Gingerdead Man seeks revenge against Sarah Leigh for causing him to live his life in the body of a gingerbread man. Her only hope is to team up with Larnell who has problems of his own in the form of a magical talking bong named Eebee.
Rachel Carson, a best-selling crime novelist, is devastated and filled with guilt over the accidental death of her son. Hoping that a change of scenery will help alleviate her suffering, she leaves her home in the city and moves into a vacant country house owned by a friend and begins a relationship with charming local Angus. But, just as her life is taking a turn for the better, Rachel realizes she’s being romanced by a ghost, leading her to doubt her own sanity.
When William first laid eyes on Claire he knew he had to have her. Reacting on his heart’s desire, he captured her. Now it’s gone too far to simply let her go, he tries to keep her solely to himself and hopefully with time she will realize he isn’t such a bad guy, he just made a bad move… all while she desperately tries to escape.
Kim lives with his dad, sells weed to skaters, writes poetry, and snorts painkillers to get through the day. One evening, while strolling through the subdivision painted up as his alter ego Shadow Zombie, Kim catches the eye of a registered nurse and part-time clown Brandi. What follows is a brief romance marked by destruction by the very real phantoms emanating from Kim’s dead-end present and Brandi’s traumatic past. Shooting under near-documentary conditions in and around Lafayette, Louisiana, Jorge Torres-Torres operates peopling his film with a coterie of genuine Acadiana misfits. The merciless and at times unexpectedly poignant observation of Kim’s world dares to see through to the human core of a drug addict or clinically depressed clown.
During an exclusive tour, a power breakdown inside a secret prison known as the Death House sends two agents fighting through a labyrinth of horrors while being pursued by a ruthless army of roaming inmates. As they fight to escape, the agents push toward the lowest depths of the facility where they learn a supernatural group of evil beings is their only chance for survival.