Two best friends embark on a cross-country road trip pulling hidden-camera pranks on the unsuspecting public.
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In the midst of the Mariel boat lift — a hurried exodus of refugees from Cuba going to America — an immigration clerk accidentally presumes that dissident Juan Raul Perez and Dorita Evita Perez are married. United by their last name and a mutual resolve to emigrate, Dorita and Juan agree to play along. But it gets complicated when the two begin falling for each other just as Juan reunites with his wife, Carmela, whom he hasn’t seen in decades.
After a heist gone wrong Tom, a low rent criminal is forced by the local crime boss to kill his partner and best friend. Setting off into the Mojave desert under the guise of moving a body they buried two years ago, Tom delays the deed just long enough for a cadre of colorful characters to descend.
Roger Cobb is a author who has just separated from his wife. He moves into a new house and tries to work on a novel based on his experiences in the Vietnam War. Strange things start happening around him; little things at first, but as they become more frequent, Cobb becomes aware that the house resents his presence.
In Bucharest on a winter’s morning, a couple make love. Adina wants to move in with her boyfriend Radu as soon as possible. He, on the other hand, is slightly more reluctant but appears to simply tolerate her plans. Today is New Year’s Eve and Radu and Adina have a lot to do: the two have planned a visit to Adina’s parents followed by a party with friends. While buying last-minute gifts at the supermarket, Radu thinks he spots ex-girlfriend Nadja, who he has never forgotten. In one small moment, Radu’s insecurities about Adina come bubbling to the surface. No sooner have the corks begin to pop, the relationship comes to an abrupt end. This is followed by the perfectly timed offer from Radu’s friend Alex to hit the town with him and his friends. Radu accepts the offer in the hope that Nadja is also out. Director Paul Negogescu draws a portrait of Radu with precision and subtle irony – and captures the atmosphere of a New Year’s evening with great authenticity.
Eccentric 70-year-old widow purchases the Windmill Theatre in London as a post-widowhood hobby. After starting an innovative continuous variety review, which is copied by other theaters, they begin to lose money. Mrs Henderson suggests they add female nudity similar to the Moulin Rouge in Paris
Back from a professional trip to Paris, a neurologist at the pinnacle of his career has to pick up his wife so that they can attend a family meal to commemorate his father, who died a year before. At his mother’s flat, the guests are waiting for the priest to arrive while arguing about all kinds of things connected and unconnected with the world’s events and wars.
This 70’s soft-core sex comedy chronicles the exploits of several flight attendants whose favorite perk-of-the-trade is the ability to flit from one sexual adventure to the next. The mile high club takes on a new meaning as the swingin’ German heroines make their way throughout Europe.