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James Lavelle played his first DJ set at 14, launched pioneering record label Mo’Wax at 18 and released the genre defining UNKLE album Psyence Fiction at 22. His phenomenally rapid rise seemed limitless, but it’s only when you’re going so fast that the wheels fall off. The Man from Mo’Wax tells the remarkable story of one of the most enigmatic yet influential figures in contemporary British culture. Unearthed from over 700 hours of footage including exclusive personal archive spanning three decades, we get the rare opportunity to watch a boy become a man in the world of music. The result is an exhilarating, no holds-barred ride into the life of an extraordinary man and an equally extraordinary era, taking in some decidedly flawed decision-making (both personal and professional), Lavelle emerges as an innovative artist who thinks big and consistently overcomes adversity.
It’s a great pop music myth that in Liverpool everything began and ended with the Beatles. It didn’t. Get Back documents the real story of the city’s music outpourings, from post war years to present day. It’s a story of a city where literally thousands of bands and artists, hundreds of clubs, promoters and managers put on the biggest, loudest and longest party in history. The golden era of The Cavern and Merseybeat generated a massive tectonic shift in popular culture and in the 1970s it started again with a new scene and yet another cellar club at its heart – Eric’s. Bands such as Deaf School, Echo and the Bunnymen and OMD led the way. Then Frankie Goes to Hollywood, the Farm, the La’s, the Christians. And more recently it continued, the city’s bands always inventive and always re-inventing, with the Zutons, Coral, Wombats and more. The story is unending but Get Back offers music fans a chance to enjoy the narrative and the sounds created so far in the city that rocked the world…
“Mr Mojo Risin’” is the story of the making of the Doors’ last album with Jim Morrison “L.A. Woman”. 2011 is the 40th anniversary both of the album’s release and of the death of Jim Morrison and this programme goes into detail of how the album came about, its recording and what was happening to the band at the time. The story is told through new interviews with the three surviving Doors: Ray Manzarek, Robbie Krieger and John Densmore plus contributions from Jac Holzman, founder of their label Elektra Records, Bill Siddons, who was their manager, Bruce Botnick, engineer and co-producer of the album and others associated with the Doors at this time. The show includes archive footage of the Doors performing both live and in the studio, classic photographs and new musical demonstrations from the Doors.
The incredible saga of the Chinese immigrant Sung family, owners of Abacus Federal Savings of Chinatown, New York. Accused of mortgage fraud by Manhattan District Attorney Cyrus R. Vance, Jr., Abacus becomes the only U.S. bank to face criminal charges in the wake of the 2008 financial crisis. The indictment and subsequent trial forces the Sung family to defend themselves – and their bank’s legacy in the Chinatown community – over the course of a five-year legal battle.
Two A.I. Scientists agree that a Technological Singularity is coming… and that the super-intelligent machines that they are building will lead us there. However, they disagree on whether humans will survive the coming revolution.
William Friedkin attends an exorcism with Father Gabriele Amorth, as he treats an Italian woman named Cristina for the ninth time. Prior to filming, Cristina had purportedly been experiencing behavioral changes and “fits” that could not be explained by psychiatry, and which became worse during Christian holidays.
‘Who the Fuck is That Guy’? The Fabulous Journey of Michael Alago tells the astonishing story of a gay Puerto Rican kid growing up in a Hasidic Brooklyn neighborhood, who got on the subway one day and began a musical odyssey that helped shape the musical landscape across N.Y.C. and around the world. Directed by Drew Stone and produced by Michael Alex the film tells the incredible story of a cherished New York City icon. From rubbing elbows with N. Y. scene makers as an teenager at Max’s Kansas City and CBGB, to being the architect of a rock ‘n’ roll renaissance as the 19 year-old talent booker at the legendary Ritz, to making history as a 24 year-old A&R exec, signing the biggest metal band in a generation in Metallica, Michael Alago was on fire.