BOY MEETS GIRL is a funny, tender, sex positive romantic comedy that explores what it means to be a real man or woman, and how important it is to live a courageous life not letting fear stand in the way of going after your dreams.
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When Alana, a naïve stripper, is raped by her boss, Stag, and his drug dealer friend, she turns to her fellow dancers for help. Joined by the beautiful Roxy and seductive Crystal, they hatch a plan to kidnap Stag and force him to give them the combination to his safe. Using his own vices against him, they seduce and drug him. When he wakes he is cuffed in his office where three women he has wronged in different ways hold him captive. In what becomes a grim battle of wills, the girls use physical and mental torture to try to force the combination from him, needing the money to flee before he gets free and kills them all. But they quickly realize they’re in over their heads as everything that can go wrong does. As the walls close in around them they have until dawn to get even, get the money and get gone.
Four black women, all of whom have suffered for lack of money and at the hands of the majority, undertake to rob banks. While initially successful, a policeman who was involved in shooting one of the women’s brothers is on their trail. As the women add to the loot, their tastes and interests begin to change and their suspicions of each other increase on the way to a climactic robbery.
This enjoyably goofy’n’duffy piece of 70’s drive-in fluff centers on a six woman outlaw gang who prey on hapless backwoods motorists. The gals are owned and trained by the amiable, scruffy, pleasantly mellow Manson-like Benson (shaggy hairball Norman Klar), a charismatically breezy anti-establishment type who wants to raise enough money to purchase a bus so he and his female family can go to California.
This impressive doco disperses the fog of shame and sensationalism to shed light on the tragedy that made international headlines in 2007 when a young Wainuiomata woman died during a mākutu lifting.
The Care Bears have their work cut out for them, because Nicolas, a lonely magician’s assistant, is about to fall under the evil influence of a bad spirit who lives in an ancient magic book — it seems Nicolas will do just about anything for friends. Aside from Nicolas, Kim and Jason are in trouble because they are starting not to trust people after suffering many disappointments.
Despite his family’s baffling generations-old ban on music, Miguel dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz. Desperate to prove his talent, Miguel finds himself in the stunning and colorful Land of the Dead following a mysterious chain of events. Along the way, he meets charming trickster Hector, and together, they set off on an extraordinary journey to unlock the real story behind Miguel’s family history.
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.