“Canapa Nostra” is a shout of the people that wants truth and justice, it is the troubled and passionate story about a forbidden plant that has accompanied humanity in his entire evolutionary history.
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The discovery of the mutilated body of a mentally challenged young mother begins a journey into madness that is so unbelievable the mastermind behind the crime ultimately got away with murder. Revealing for the first time how and why it happened filmmaker J. David Miles ventures into the insane mind of a small town crime family’s matriarch and uncovers a conspiracy that continues to elude law enforcement to this very day. By going straight to the murderers themselves for interviews it is a true crime investigation like you have never seen, unveiling an alternate motive to what was presented in the courtroom that is as bizarre as it is heartbreaking. Written by Anonymous
JACO tells the story of Jaco Pastorius, a self-taught, larger-than-life musician who single-handedly changed the course of modern music by redefining the sound and the role of the electric bass guitar. Never-before-seen 8mm film, photographs, and audio recordings unveil the true story behind the legend of Jaco’s life, his music, and his heartbreaking end. Featuring Joni Mitchell, Sting, Flea, Herbie Hancock, Geddy Lee, Bootsy Collins, Santana, Wayne Shorter and more, JACO will leave you longing for a time when “musicians owned the music industry.” Produced by Metallica’s Robert Trujillo with Passion Pictures (Searching for Sugar Man) and directed by Mr. Paul Marchand & Stephen Kijak.
The Creeping Garden is an independently-produced feature-length documentary, directed by Tim Grabham and Jasper Sharp and with an original soundtrack by Jim O’Rourke, depicting the world of myxomycetes, or plasmodial slime moulds, and the diverse array of research currently being conducted around them. The film boasts stunning original macroscopic time-lapse footage of these overlooked organisms, filmed within its natural habitat and in a controlled laboratory setting, and features interviews with artists, researchers and scientists involved in the fields of the visual arts, music, mycology, computing and robotics to explore ideas of biological-inspired design, emergence theory, unconventional computing and scientific modelling.
With a magical new invention that promised to revolutionize blood testing, Elizabeth Holmes became the world’s youngest self-made billionaire, heralded as the next Steve Jobs. Then, overnight, her 10-billion-dollar company dissolved. The rise and fall of Theranos is a window into the psychology of fraud.
Canadian documentarian Jamie Kastner (The Secret Disco Revolution) looks back at a notorious 1970s murder trial in the Virgin Islands — where five politicized young islanders were convicted of a massacre at a ritzy country club — and its dramatic aftermath a decade later, when the culprits’ ostensible leader staged a skyjacking and found refuge in Cuba.
Grant Korgan is a world-class adventurer, nano-mechanics professional, and husband. On March 5, 2010, the Lake Tahoe native burst-fractured his L1 vertebrae, and suddenly added the world of spinal cord injury recovery to his list of pursuits. On January 17, 2012, along with two seasoned explorers, Grant attempted the insurmountable, and became the first spinal cord injured athlete to literally push himself to the most inhospitable place on the planet: the bottom of the glove, the geographic South Pole.
The incredible, behind the scenes, true story and exclusive footage of the most dangerous white gang of the 20th century. No actors, no recreations, just you, your personal guide Robert Hendrickson, The MANSON Gang and the most notorious living gangster in American history.
In 1818, Mary Shelley wrote “Frankenstein; or, The Modern Prometheus,” a powerful and timelessness novel which eternal theme is nothing other than man’s quest for the secret of life. Since then, the Creature became a pop culture icon, overshadowing the novel and Doctor Frankenstein himself.
As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.