The 47-year old Al Capone, after 10 years in prison, starts suffering from dementia and comes to be haunted by his violent past.
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Ali (LAWRENCE ADISA), is a struggling real estate agent and ladies man who has never desired to commit to anyone or anything. One night while out with his buddy Chris (OMAR MILLER), Ali meets and falls for Sandrine (DAVETTA SHERWOOD), a single mother who works hard and is looking for love. Ali’s best friend Joel (BRIAN HOOKS) and his wife (TANGI MILLER) are happy to see Ali cut off his line of women, while Sandrine’s best friend Steph (TEYANA TAYLOR) is unenthusiastic about Sandrine welcoming a man into her home to meet her son and mother (KELLITA SMITH). With a declining real estate career and issues with his new relationship, Ali starts questioning just how committed he’s willing to be. One important meeting with real estate mogul James Johnson (MEKHI PHIFER) could change his life for forever. For the first time it looks like Ali may make a transformation if he can steer clear of obstacles. In the end will love conquer all? Or will broken hearts be all that’s left of their romance?
An all-Irish cast (including Donal McCann, Rachael Dowling and Colm Meaney) lends authenticity and gravitas to director John Huston’s final film, an elegiac take on a short story by James Joyce (from The Dubliners). After a convivial holiday dinner party (circa 1904), things begin to unravel when a husband and wife address some prickly issues concerning their marriage. The movie stars Huston’s daughter, Anjelica, and was scripted by his son, Tony.
Kanneganti Gopala Rao is an atheist who owns a shop that sells Hindu idols and is survived by his wife Meenakshi and son Moksha apart from his in-laws and assistant Otthu. Once, he obstructs a holy ritual involving his family along with others conducted by Siddheswar Maharaj, a fake godman. A sudden earthquake causes a huge devastation and his shop gets completely demolished. Rao approaches his insurance company who turn him down terming it as an act of God. Left with no choice, Rao decides to sue God in turn and after failing to find a lawyer for such a lawsuit, he meets Akbar Bhai, a disabled lawyer who helps him file the case as Rao decides to fight on his own. Legal notices are sent to the insurance company as well as to religious priests, Siddheshwar, Gopika Matha and their group’s founder, Leeladhara Swamy summoning them to the court as representatives of God on earth.
THE ONE I WROTE FOR YOU follows a songwriter who defers his dreams to support his family. He gets a second chance when his 10-year-old daughter, Gracie, secretly enters his name into a song writing contest/reality show. Fourteen original songs help tell the story of Ben Cantor, who follows his dream, but loses himself along the way.
They come from all over Eastern Europe: Russia, Romania, Chechnya. They are Eastern boys. The oldest appear no more than 25; as for the youngest, there is no way of telling their age. They hang around the Gare du Nord train station in Paris. They might be prostitutes, but there is no way of knowing for certain. Muller, a discreet man in his late fifties has his eye on one of them – Marek. One afternoon, Muller gathers his courage and speaks to him. The young man agrees to come visit Muller the following day, at his place. However the next day, when the doorbell rings, Muller doesn’t have the faintest idea that he has fallen into a trap.
Bennett and Marissa are the sole survivors of the final suicidal act of their religious cult. Confused, relieved, angry and unfulfilled, the two followers each question one another’s motives for joining, living, and surviving under the control of their Leader. Faced with their own doubts, Bennett and Marissa must confront their feelings and fears while deciding what life to live after near-death.
Newly-married Rebecca leaves her husband’s Alsatian bed on her prized motorbike – symbol of freedom and escape – to visit her lover in Heidelberg. En route she indulges in psychedelic reveries as she relives her changing relationship with the two men.