On the last flight of a transatlantic passenger airliner, a priest, a rabbi and the airline crew team together to save a plane from a pandemic of demonic possessions.
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Animalympics is all about the Animal Olympics Contest where all the animals around the world gather to take part in everything from skiing in North America to the very long marathon race in humid conditions. With lively music provided by Graham Gouldman, the film is very different to other cartoons, being more of a drama-comedy than cartoon.
Jake is the overnight security guard at a highly-secured Self Storage facility in rural Rhode Island. When his friend’s party plans fall through, he invites them to his job site to throw a fiesta of his own. There couldn’t be a better location: removed, no people, nothing but party… right? Innocent mischief turns a naughty night of fun into an evening of horror. We soon learn that some things were meant to stay under lock and key and certain places were supposed to be left undisturbed. The kids aren’t the only ones at the self storage facility who are looking for a night of fun.
An intelligent pulse of electricity is moving from house to house. It terrorizes the occupants by taking control of the appliances, either killing them or causing them to wreck the house in an effort to destroy it. Then it travels along the power lines to the next house, and the terror restarts. Having thus wrecked one household in a quiet neighbourhood, the pulse finds itself in the home of a boy’s divorced father whom he is visiting. It gradually takes control of everything, badly injures the stepmother, and traps father and son, who must fight their way out.
In a quiet suburban town in the summer of 1958, two recently orphaned sisters are placed in the care of their mentally unstable Aunt Ruth. But Ruth’s depraved sense of discipline will soon lead to unspeakable acts of abuse and torture that involve her young sons, the neighborhood children, and one 12-year-old boy whose life will be changed forever.
Gripped by the fear of possible repercussions and tortured by the guilt of his violent actions, Taylor seeks to hide his sins in hopes that they will go unnoticed and become no more than a dirty little secret… However, his plan quickly falls apart when he begins to see menacing visions and the line between reality and paranoia becomes blurred…Is it all in his head or can the dead truly take revenge?
Anna returns home after spending time in a psychiatric facility following her mother’s tragic death and discovers that her mother’s former nurse, Rachel, has moved into their house and become engaged to her father. Soon after she learns this shocking news, Anna is visited by her mother’s ghost, who warns her that Rachel has evil intentions.
6 years after a group of friends went missing on a trip to a cabin in the woods, Kara, the younger sister of Aeron, is still determined to find out what happened to her older sister. After hearing the news of the investigating detective’s retirement, Kara becomes more determined than even to take things into her own hands. With the help of another missing cabin members sibling, they set off a chain of events that gives them exactly what they asked for; the return of the Slasher Nurse. Be careful what you ask for.
Crunch Calhoun, a third-rate motorcycle daredevil and part-time art thief, teams up with his snaky brother to steal one of the most valuable books in the world. But it’s not just about the book for Crunch — he’s keen to rewrite some chapters of his own past as well.
When darkness is attached and dreams haunt the head, an alternative source of relief can be found in the darkest of places by a most unbelievable being, the elusive Chameleon. When a young photographer seeks relief from his recurring nightmares, the Chameleon provides a cure. Little does he know the side effect is the realisation of his nightmares materialising in the real world.
Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film – though there are obvious exceptions – Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced [email protected], a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious – and effects heavy – effort, Semum. Both film showcased Karacadag’s growing ability to shock and terrify his audiences by taking the rich folklore of his country and pushing it to its dark extremes. And he’s at it again with [email protected]: Bir Cin Vakasi. The sequel to his original hit, this latest efforts puts away the Japanese influence in favor of a more Paranormal vibe, but the underlying mythology remains purely regional with the story following a Turkish family whose home is possessed by angry jinns