An old poet staying for free in a riverside hotel summons his two estranged sons. This is because he feels, for no apparent reason, like he is going to die. After being betrayed by the man she was living with, a young woman gets a room at the hotel. Seeking support, she summons a friend. The poet spends a day with his sons and tries to wrap up the loose ends in his life. But it’s not so easy to do that in one day. But then he sees the young woman and her friend, after a sudden, unbelievably heavy snowfall.
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The movie follows the rise and fall of a con man — a story that begins and ends at a seedy travelling carnival. Stanton Carlisle (Tyrone Power) joins the carnival, working with “Mademoiselle Zeena” (Joan Blondell) and her alcoholic husband, Pete (Ian Keith).
Based on the Japanese novel ‘Loving the Dead’ from acclaimed author Kei Oishi, the film centres on a damaged young man who, after shutting himself away for ten years, is forced to venture out into a world that he no longer understands.
After a violent encounter with his boss’ men, Roy finds a prostitute and sees something in her frightened, defiant eyes that prompts a fateful decision. He takes her with him as he flees to Galveston, an action as ill-advised as it is inescapable.
The year is 1675. England is threatened by religious and political rivalries. King Charles II’s Catholic brother, James, is next in line for the throne, but many Protestants put their faith in Charles’ illegitimate son, The Duke of Monmouth. On the king’s death, conflict is inevitable… Over seven days journey from London, Exmoor is a primitive and lawless area. Here, farmer Jack Ridd lives with his wife Sarah, son John, and two daughters. The only shadow over their simple life is cast by the notorious outlaw family the Doones. The aristocratic Doones were banished from their ancestral lands and now live through looting, theft, and murder. Their brutality is legendary…
The triumphs and failures of middle age as seen through the eyes of runaway American housewife Mary Wilson, a woman who believes that ultimate reality exists above and beyond the routine procedures of conscious, uninspired, everyday life. She feels cheated by an older generation that taught her to settle for nothing less than storybook finales, people who are disillusioned and restless and don’t know why, people for whom life holds no easy answers.
Carrie Watts begrudgingly lives with her busy, overprotective son, Ludie and pretentious daughter-in-law, Jessie Mae. No longer able to drive and forbidden to travel alone, she wishes for freedom from the confines of the house.