It is the story, the process of becoming more and simultaneously less than human through technology as it follows a few characters through this transformation of becoming.
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Pete Sandich is a reckless fire-fighting pilot who is killed in what was to have been his final mission. Ascending to Heaven, Pete is introduced to business-like angel who instructs the spectral Pete to pass on his aviation knowledge to his young successor. While doing so, Pete also smoothes the course of romance for his earthly girlfriend who, after several months of grieving, finally falls in love with another man.
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After losing their academic posts at a prestigious university, a team of parapsychologists goes into business as proton-pack-toting “ghostbusters” who exterminate ghouls, hobgoblins and supernatural pests of all stripes. An ad campaign pays off when a knockout cellist hires the squad to purge her swanky digs of demons that appear to be living in her refrigerator.
Based on the extraordinary true story of the European city’s 1973 bank heist and hostage crisis that was documented in the 1974 New Yorker article “The Bank Drama” by Daniel Lang. The events grasped the world’s attention when the hostages bonded with their captors and turned against the authorities, giving rise to the psychological phenomenon known as “Stockholm Syndrome.”
A 40-year old actress (single and strong, yet lonely), her sister (an emotionally unstable schoolteacher whose married-with-kids life appears more orderly) and their domineering father, who gradually loses control over his family due to his wife’s sudden illness and his own health troubles; these are the three individuals at the heart of this film, a touching story about the strength of family ties in a situation of imminent danger.
Cynical British journalist Fowler (Michael Redgrave) falls in love with a young Vietnamese woman, but is dismayed when a naïve U.S. official (Audie Murphy) also begins vying for the girl’s attention. In retaliation, Fowler informs the communists that the American is selling arms to their enemy. Director Joseph L. Mankiewicz’s drama paints a rosier picture of U.S. involvement in French Indochina than Graham Greene’s provocative 1955 novel.
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