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When he started as a comedy writer for the Late Show with David Letterman, Steve Young had few interests and not many friends outside of his day job. But while gathering material for a segment on the show, Steve stumbled onto a few vintage record albums that would change his life forever. Bizarre cast recordings – marked “internal use only” – revealed full-throated Broadway-style musical shows about some of the most recognizable corporations in America: General Electric, McDonald’s, Ford, DuPont, Xerox. Bathtubs Over Broadway follows Steve Young on his quest to find all he can about this hidden world. While tracking down rare albums, unseen footage, composers and performers, Steve forms unlikely friendships and discovers that this discarded musical genre starring tractors and bathtubs was bigger than Broadway.
In Uganda, a new bill threatens to make homosexuality punishable by death. David Kato – Uganda’s first openly gay man – and his fellow activists work against the clock to defeat the legislation while combating vicious persecution in their daily lives. But no one, not even the filmmakers, is prepared for the brutal murder that shakes the movement to its core and sends shock waves around the world. (from imdb)
At All Costs is a documentary set in the world of elite youth grassroots basketball that explores how the AAU system has professionalized youth basketball in America. We follow highly recruited ‘blue chip’ prospects, their families, and their teams as they navigate the shaky terrain of the AAU circuit in pursuit of their dreams.
A place: Theresienstadt. A unique place of propaganda which Adolf Eichmann called the “model ghetto”, designed to mislead the world and Jewish people regarding its real nature, to be the last step before the gas chamber. A man: Benjamin Murmelstein, last president of the Theresienstadt Jewish Council, a fallen hero condemned to exile, who was forced to negotiate day after day from 1938 until the end of the war with Eichmann, to whose trial Murmelstein wasn’t even called to testify. Even though he was without a doubt the one who knew the Nazi executioner best. More than twenty-five years after Shoah, Claude Lanzmann’s new film reveals a little-known yet fundamental aspect of the Holocaust, and sheds light on the origins of the “Final Solution” like never before.
Nadia Murad, a 23-year-old Yazidi, survived genocide and sexual slavery committed by ISIS. Repeating her story to politicians and media, this ordinary girl finds herself thrust onto the world stage as the voice of her people. Away from the podium, she must navigate bureaucracy, fame and people’s good intentions.
Locked away from society in an apartment on the Lower East Side of Manhattan, the Angulo brothers learn about the outside world through the films that they watch. Nicknamed ‘The Wolfpack’, the brothers spend their childhood reenacting their favorite films using elaborate home-made props and costumes. Their world is shaken up when one of the brothers escapes and everything changes.
Beginning with Space Invaders in 1978, arcade games began to appear everywhere. By 1982, there were 13,000 dedicated arcade locations across North America. It was the Golden Age of Arcade Games, generating $3.2 billion dollars in 1983. By 1985, revenue had fallen 97%. Atari declared bankruptcy. Arcades closed. Most of the old games were converted or destroyed. A few were packed into warehouses where they remained, largely forgotten, for at least another decade. This is the story of arcade video games, and the generation who grew up in the arcades attempting to collect and preserve their fondest memories.
From the rain of Japan, through threats of arrest for ‘public indecency’ in Canada, and a birthday tribute to her father in Detroit, this documentary follows Madonna on her 1990 ‘Blond Ambition’ concert tour. Filmed in black and white, with the concert pieces in glittering MTV color, it is an intimate look at the work of the music performer, from a prayer circle with the dancers before each performance to bed games with the dance troupe afterwards.