Simon Eskenazy is a gay Parisian clarinet player who lives his single life to the fullest. One day, he receives a very tempting offer from his homophobic uncle, looking to continue the family legacy – if he gets married and has a child, he will receive ten million francs and inherit his uncle’s luxurious mansion. After meeting Rosalie Baumann at his cousin David’s wedding, and with some convincing on his mother’s part, Simon sees an opportunity to fulfill his uncle’s wishes and the pair go ahead and get married, but not before traveling to New York to meet Rosalie’s Orthodox Jewish family. As Simon tries to develop real feelings for Rosalie, he struggles with his feelings for his newlywed cousin David.
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Zack Mayo is a young man who has signed up for Navy Flight School. He is a Navy brat who has a bad attitude problem. Sgt. Foley is there to train and evaluate him and will clearly find Zack wanting. Zack meets Paula, a girl who has little beyond family and must decide what it is he wants to do with his life.
Baptista, a rich Paduan merchant, announces that his fair young daughter, Bianca, will remain unwed until her older sister, Katharina, a hellish shrew, has wed. Lucentio, a student and the son of a wealthy Pisan merchant, has fallen in love with Bianca. He poses as a tutor of music and poetry to gain entrance to the Baptista household and to be near Bianca. Meanwhile, Petruchio, a fortune-hunting scoundrel from Verona, arrives in Padua, hoping to capture a wealthy wife. Hortensio, another suitor of Bianca, directs Petruchio’s attention to Katharina. When Hortensio warns him about Katharina’s scolding tongue and fiery temper, Petruchio is challenged and resolves to capture her love. Hortensio and another suitor of Bianca, Gremio, agree to cover Petruchio’s costs as he pursues Katharina.
A portrait of youth in bloom; a tale of one family’s dissolution; a reflection upon the danger and the mystery in living. Sandrine Bonnaire plays Suzanne, a free spirit and the vessel for an almost Brontëan choler. She’s 16, and men exist — diverse lovers, an overbearing brother, and the father portrayed by director Maurice Pialat himself in an unforgettable turn that displays the full magnitude of the cinema giant’s tenderness, force-of-will, and presence of being.
Ho Kam-An is a love struck dim-sum delivery boy who falls for a beautiful judo student. After being humiliated by her boyfriend, Ho Kam-An goes out and seeks the services of an aging kung-fu master who teaches him a half ass style of kung fu “Karate Kid” style. After actually learning how to fight using this style (much to the master’s surprise) he dresses up like Garfield and beats up the boyfriend of the beautiful judo student. But he’s challenged to a fight by the master’s former foe. Is Ho Kam-An up to the challenge?
Russell ruminates on the state of the world and reflects how life has changed since he became a father.
A saga of class relations and changing times in an Edwardian England on the brink of modernity, the film centers on liberal Margaret Schlegel, who, along with her sister Helen, becomes involved with two couples: wealthy, conservative industrialist Henry Wilcox and his wife Ruth, and the downwardly mobile working-class Leonard Bast and his mistress Jackie.
It’s 1983, and hopeless junkie Dick gets an unwelcome visit from the past – his seriously sleazy former cellmate, Bug, to be precise. Bug requires a crash course in the 80s: different music, different drugs, and machines in walls that dispense money. The latter development gives Dick an idea.