Helene loves to play poker for big money in men’s company. But one day she looses big time against bar manager Antonio. He grants her 24 hours to come up with the 50,000 Francs. She asks all of her friends, but nobody will help her. When she finally steals the money from her brother Stephane, she gets them into serious trouble — she didn’t know where he got it.
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Haunted by terrible acts the Nazis forced him to participate in, the disenchanted Father Lankester Merrin focuses his energies on helping with an archaeological dig in the northern part of Kenya. There, the crew uncovers a church that predates Christian missions into the area, but the discovery also causes strange events to start occurring — including physical changes to a young, disabled boy, whom Merrin grows to suspect has been possessed by a demon.
Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.
Leaving the city behind for a weekend of booze, bud and bonding at the coast, seven friends find themselves stranded en route to South Padre Island when a big storm interferes with their plans. The town of Middle Spring is more than happy to welcome them with open arms, however; located in the rhinestone buckle of the Bible Belt, Middle Spring is smack-dab in the middle of a big barbecue and tent revival and there’s always room at their table for a few more warm bodies. Unfortunately, no one in Middle Spring is exactly who they seem to be— this town takes the Bible quite literally, and the friends have to stick together as time begins to run out and they realize that what’s on the menu may be closer to home than they suspected.
When the farmer’s away, all the animals play, and sing, and dance. Eventually, though, someone has to step in and run things, a responsibility that ends up going to Otis, a carefree cow.
When maladjusted orphan Jesse vandalizes a theme park, he is placed with foster parents and must work at the park to make amends. There he meets Willy, a young Orca whale who has been separated from his family. Sensing kinship, they form a bond and, with the help of kindly whale trainer Rae Lindley, develop a routine of tricks. However, greedy park owner Dial soon catches wind of the duo and makes plans to profit from them.
Wake in Fright is the story of John Grant, a bonded teacher who arrives in the rough outback mining town of Bundanyabba planning to stay overnight before catching the plane to Sydney, but as one night stretches into several he plunges headlong into his own destruction.
Set against the background of the 1984 Miner’s Strike, Billy Elliot is an 11 year old boy who stumbles out of the boxing ring and onto the ballet floor. He faces many trials and triumphs as he strives to conquer his family’s set ways, inner conflict, and standing on his toes!
Yeo-jin and Jae-yeong are two teenage girls who are trying to earn money for a trip to Europe. To reach this end, Jae-yeong is prostituting herself while Yeo-jin acts as her pimp, setting her up with the clients and staying on guard for the police. Things take a turn for the worse when Yeo-jin gets distracted from her duty and the police raid the motel where Jae-yeong is meeting with a client. To avoid getting caught, Jae-yeong jumps out of a window, fatally injuring herself.