Charting the rise and fall of three corrupt real estate agents who accumulate absurd wealth in no time but fall into a vortex of fraud, greed and drugs.
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On-the-run from the London mafia, Omi returns to his ancestral village – a place he’d flown from with his grandad’s money and grander ‘London Dreams’. Will Omi be able to hide his failures while chasing love, and the lost recipe of the infamous dish, ‘Chicken Khurana’?
Jeff Marx wants to study medicine and become a physician. However, his grades are far from enough to get him into an American medical school. But then he gets a chance to study medicine abroad in a small Latin American dictatorship governed by the dictator Ramon Madera who has a big interest in how the medical students behave.
Two ex-convicts, MG and Gilbert find refuge in a charming middle-class house whose couple is about to celebrate its 20-year old marriage. Our duo has no other solution than to take this entire brood in hostage. But, contrary to all expectations, they are warmly greeted by the occupants who don’t think twice before helping them, they are even ready to put their guests off, even to kill them if necessary…
The star of Ken Loach’s MY NAME IS JOE, Mullan proves that his talent isn’t relegated to acting. As a writer/director, he has crafted a supremely entertaining motion picture. ORPHANS tells the grittily realistic, hysterical, and deeply moving tale of a group of siblings who reunite in Glasgow on the eve of their mother’s funeral. The four children mourn their mother’s passing in a variety of ways, some of which are heartfelt and some of which are bizarre. As a potential thunderstorm threatens to damage the city, the situation compounds itself even further.
The film concentrates on the camaraderie and the divisions between the troops as they ready for the big offensive. Told in a taut narrative, the men of the 101st, led by Van Johnson, wait out the winter in the Ardennes forest to confront the German army in what would be the last major offensive of World War II. The men are demoralized and trapped, with no hope of support from the Allies.
Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.