Rocco Siffredi is to pornography what Mike Tyson is to boxing or Mick Jagger is to rock’n’roll: a living legend. His mother wanted him to be a priest; with her blessing he became a hardcore performer, devoting his life to one God only: Desire. Rocco Siffredi reveals all, even if it sometimes means busting his own myth: his true story, beginnings, career, wife and children… and the ultimate revelation that will change his life forever.
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Vintage tomorrows examines the steampunk movement’s explosive growth, origins, and cultural significance. It explores the fundamental question: what can we learn about tomorrow from steampunk’s playful visions of yesteryear?
Documentary telling the extraordinary story of Koko, the only ‘talking’ gorilla in the world, and her lifelong relationship with Penny Patterson. Project Koko started as a PhD project to teach sign language to a baby gorilla, but as Koko began to communicate with Penny, an intense bond formed between them. Penny has now been with Koko for over 40 years and claims Koko can reveal fresh insights into the workings of an animal’s mind. Koko’s unique life with Penny has been filmed every step of the way. Over 2,000 hours of footage chart the most dramatic moments – Penny’s battle to keep Koko from being taken back to the zoo in which she was born, Penny’s clash with academic critics who doubted her claims and the image of Koko mourning the death of her kitten.
An independent documentary film about the phenomenal resurgence of the modular synthesizer — exploring the passions, obsessions and dreams of people who have dedicated part of their lives to this esoteric electronic music machine. Inventors, musicians, and enthusiasts are interviewed about their relationship with the modular synthesizer — for many, it’s an all-consuming passion.
A.I. guru Ben Goertzel grew up in a hippie community in Oregon during the Vietnam War. Inspired by science fiction, he imagined a perfect rational world that would transcend 1970s’ America. Ben has dedicated his life to developing OpenCog, a software that models the human mind. If Ben’s design works, OpenCog will become a human-like general intelligence. But for OpenCog to work, it needs a body.
Diagnosed with multiple sclerosis, documentarian Matt Embry takes viewers on a transnational journey — from Italy to Canada, and from the lab to the home — in order to examine the politics of the condition.
The first feature film from accomplished short filmmaker Kate Shenton, On Tender Hooks is a documentary film delving into the world of human suspension and the people involved. Kate spends a year following a different people and group of suspenders. Every Sunday they pierce themselves with hooks and hang in mid-air from rigs in a display that challenges the perceptions and squeamishness of even the most hardened. The film is a fly on the wall documentary showing how the ordinary human body can achieve extraordinary things. Beginning with groups in London, and then following events in Rico, Croatia and Oslo, Norway, the film depicts a wide variety of experience and opinions, and delves thoughtfully into a deeply misunderstood practice On Tender Hooks was a self-funded project filmed and edited by director Kate Shenton. Completed in 2012 it is an example of independent film-making at its purest.
Derek and Nancy Haysom were brutally murdered in their house in Lynchburg, Virginia, on March 30, 1985. Suspicion fell on their daughter Elizabeth and her boyfriend Jens Söring. They flee to Europe, but are caught and extradited to the U.S. Elizabeth is sentenced to 90 years in jail for incitement to murder, Jens Söring to two life sentences. Karin Steinberger, Marcus Vetter and their team spent over three years researching this case, which achieved world-wide notoriety. They uncovered new evidence, including the fact none of the blood samples found at the scene of the crime belonged to Jens Söring.
The images could be taken from a science fiction film set on planet Earth after it’s become uninhabitable. Abandoned buildings – housing estates, shops, cinemas, hospitals, offices, schools, a library, amusement parks and prisons. Places and areas being reclaimed by nature, such as a moss-covered bar with ferns growing between the stools, a still stocked soft drinks machine now covered with vegetation, an overgrown rubbish dump, or tanks in the forest. Tall grass sprouts from cracks in the asphalt. Birds circle in the dome of a decommissioned reactor, a gust of wind makes window blinds clatter or scraps of paper float around, the noise of the rain: sounds entirely without words, plenty of room for contemplation. All these locations carry the traces of erstwhile human existence and bear witness to a civilisation that brought forth architecture, art, the entertainment industry, technologies, ideologies, wars and environmental disasters.
Menahem Golan and Yoram Globus were two movie-obsessed cousins from Israel who became Hollywood’s ultimate gate-crashers. Following their own skewed version of the Great American Dream, they bought an already low-rent brand – Cannon Films – and ratcheted up its production to become so synonymous with schlock that the very sight of its iconic logo made audiences boo throughout the 1980s. And yet who could have foreseen how close they came to nearly taking over Hollywood and the UK film industry?
In the autobiographical I AM NANCY, the focus is squarely on Heather Langenkamp and her unique experience playing Wes Craven’s legendary teen heroine Nancy Thompson. With tongue planted firmly in cheek, Heather asks the burning question: “Why Freddymania, and not Nancymania?” After personally experiencing the Freddy Krueger marketing craze, the rise of horror convention fandom and the phenomenon of eight Nightmare On Elm Street films, Heather reflects on the relevance of heroes in this modern age of monster lovers. Prepare to put yourself in Nancy’s shoes and think about Elm Street in a whole new way.