This behind-the-scenes documentary follows Beto O’Rourke’s rise from virtual unknown to national political figure through his bold attempt to unseat Ted Cruz in the US Senate.
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1984. One shiny quarter. 44.5 hours of continuous play. The race to be the first gamer in history to score one BILLION points. Until recently, Timothy McVey (not the terrorist) thought he had — for all these years — held the world record on Nibbler. Note: a Nibbler cabinet will be available in the lobby for the duration of Fantastic Fest for attendees to attempt to break the current world record.
Political commentator, author and filmmaker Dinesh D’Souza puts forth the notion that America’s history is being replaced by another version in which plunder and exploitation are the defining characteristics. D’Souza also posits that the way the country understands the past will determine the future. Using historic re-enactments, D’Souza explores the lives and sacrifices of some of America’s greatest heroes, including George Washington and Frederick Douglass.
In 1942, when computers were human and women were underestimated, a group of female mathematicians helped win a war and usher in the modern computer age. Sixty-five years later their story has finally been told.
The fascinating story of the cultural, social, spiritual, and musical revolution ignited by the coming of the Beatles. Tracing the impact that these four band members had, first in their native Britain and soon after worldwide, it reappraises the band and follows their path from young subversives to countercultural heroes. Featuring fresh, revealing interviews with key collaborators as well as a wealth of rarely-seen archival footage, this documentary presents a bold new take on the most significant band in the history of music and their enduring impact on popular culture.
Jackass 3D is a 3-D film and the third movie of the Jackass series. It follows the same premise as the first two movies, as well as the TV series. It is a compilation of various pranks, stunts and skits. Before the movie begins, a brief introduction is made by Beavis and Butt-head explaining the 3D technology behind the movie. The intro features the cast lining up and then being attacked by various objects in slow-motion. The movie marks the 10th anniversary of the franchise, started in 2000.
The ‘Casa do Povo’ cultural centre in São Paulo, an icon of the secular Jewish workers’ movement: a crumbling theatre flanked by staircases, entryways and corridors. Construction noise drones away in the background, clinking crockery, a broom sweeping over tiled floors, an expressive façade of countless adjustable panes of glass covered by a patina. It’s October 2016 and a group of young people are preparing a preview of Bickels [Socialism]. The venue is to form a prologue to the completed film, which tours 22 buildings in Israel designed by Samuel Bickels, most of which for kibbutzim. Dining halls, children’s houses, agricultural buildings, bright structures inserted into the Mediterranean landscape with great ingenuity. An architecture with a sell-by date: That many are now empty or have been repurposed at best is linked to the decline of the socialist ideals they embody.