Sachin Tendulkar plays himself in this sports-docudrama that traces the life and times of one of the world’s biggest cricket phenomenas.
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A Lamp in the Dark is an exciting new documentary that unfolds the fascinating “untold” history of the Bible, revealing critical information often overlooked in modern histories. Throughout the Middle Ages, the Papal Inquisition forbade biblical translation, threatening imprisonment and death to those who disobeyed. Learn the stories of valiant warriors of the faith, such as John Wycliffe, William Tyndale, Martin Luther, the ancient Waldenses, Albigenses and others who hazarded their lives for the sake of sharing the Gospel light with a world drowning in darkness. Once the common people were able to read the Bible, the world was turned upside down through the Protestant Reformation.
Featuring performances by popular artists of the 1960s, this concert film highlights the music of the 1967 California festival. Although not all musicians who performed at the Monterey Pop Festival are on film, some of the notable acts include the Mamas and the Papas, Simon & Garfunkel, Jefferson Airplane, the Who, Otis Redding, and the Jimi Hendrix Experience. Hendrix’s post-performance antics — lighting a guitar on fire, breaking it and tossing a part into the audience — are captured.
High school football coach, Harold Jones befriends Radio, a mentally-challenged man who becomes a student at T.L. Hanna High School in Anderson, South Carolina. Their friendship extends over several decades, where Radio transforms from a shy, tormented man into an inspiration to his community.
Nacho Libre is loosely based on the story of Fray Tormenta (“Friar Storm”), aka Rev. Sergio Gutierrez Benitez, a real-life Mexican Catholic priest who had a 23-year career as a masked luchador. He competed in order to support the orphanage he directed. The producers are Jack Black, David Klawans, Julia Pistor, and Mike White.
As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.