The life and times of Stiv Bators, legendary frontman of the Dead Boys and The Lords of The New Church.
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“A Film About Coffee” is a love letter to, and meditation on, specialty coffee. It examines what it takes, and what it means, for coffee to be defined as “specialty.” The film whisks audiences on a trip around the world, from farms in Honduras and Rwanda to coffee shops in Tokyo, Portland, Seattle, San Francisco and New York. Through the eyes and experiences of farmers and baristas, the film offers a unique overview of all the elements-the processes, preferences and preparations; traditions old and new-that come together to create the best cups. This is a film that bridges gaps both intellectual and geographical, evoking flavor and pleasure, and providing both as well.
Comedy icon Dave Chappelle makes his triumphant return to the screen with a pair of blistering, fresh stand-up specials. Filmed at The Palladium in Los Angeles, California, in March 2016.
LIVING IN THE AGE OF AIRPLANES offers a fresh perspective on a modern-day miracle that many of us take for granted: flying. Narrated by Harrison Ford and featuring an original score from Academy Award® winning composer James Horner, the film takes viewers to 18 countries across all seven continents to illuminate how airplanes have empowered a century of global connectedness our ancestors could never have imagined.
In 2007, 11 years after one of the most influential American punk bands, Jawbreaker, called it quits, the three members, Blake Schwarzenbach, Chris Bauermeister, and Adam Pfahler reconnect in a San Francisco recording studio to listen back to their albums, reminisce and even perform together one last time. Follow the band as they retell their “rags to riches to rags” story writhe with inner band turmoil, health issues, and the aftermath of signing to a major label. Featuring interviews with Billy Joe Armstrong, Steve Albini, Jessica Hopper, Graham Elliot, Chris Shifflet, Josh Caterer and more.
Panti Bliss is many things: part glamorous aunt, part Jessica Rabbit, she’s a wittily incisive performer with charisma to burn who is regarded as one of the best drag queens in the business. Created by Rory O’Neill, Panti is also an accidental activist and in her own words ‘a court jester, whose duty is to say the un-sayable’. Over the last few years Rory has become a figurehead for LGBT rights in Ireland and since the recent scandal around Pantigate, his fight for equality and against homophobia has been recognised all around the world.
The images could be taken from a science fiction film set on planet Earth after it’s become uninhabitable. Abandoned buildings – housing estates, shops, cinemas, hospitals, offices, schools, a library, amusement parks and prisons. Places and areas being reclaimed by nature, such as a moss-covered bar with ferns growing between the stools, a still stocked soft drinks machine now covered with vegetation, an overgrown rubbish dump, or tanks in the forest. Tall grass sprouts from cracks in the asphalt. Birds circle in the dome of a decommissioned reactor, a gust of wind makes window blinds clatter or scraps of paper float around, the noise of the rain: sounds entirely without words, plenty of room for contemplation. All these locations carry the traces of erstwhile human existence and bear witness to a civilisation that brought forth architecture, art, the entertainment industry, technologies, ideologies, wars and environmental disasters.
A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces. At some point, the idea takes hold that this conversation could be turned into a film. And this is the very film we’re watching the two of them in.
Director Martin Scorsese profiles former Beatle George Harrison in this reverent portrait that mixes interviews and archival footage, featuring commentary from the likes of Paul McCartney, Eric Clapton, Ringo Starr and Yoko Ono.
The landmark documentary about the tragically ill-fated Rolling Stones free concert at Altamont Speedway on December 6, 1969. Only four months earlier, Woodstock defined the Love Generation; now it lay in ruins on a desolate racetrack six miles outside of San Francisco.