To take down South Boston’s Irish Mafia, the police send in one of their own to infiltrate the underworld, not realizing the syndicate has done likewise. While an undercover cop curries favor with the mob kingpin, a career criminal rises through the police ranks. But both sides soon discover there’s a mole among them.
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On the way to his mother’s funeral, a detective accidentally hits a person with his car. He takes the body with him and puts it into his mother’s coffin. The moment he feels relieved, he receives a call. This caller insists that he saw the detective’s hit-and-run, but instead of asking for money, he wants to know about the body’s whereabouts, leading to a do-or-die showdown of the witness and detective.
An inexplicable archeological find leads Dr. Peter Kenner to conclude that we are not alone, aliens have visited the Earth in the distant past and have now returned. Struggling to reconcile the evidence with his once held religious views, Peter turns to his uncle, Josh Sanders, a retired scientist and a man of strong Christian faith. Meanwhile, Sarah Pennington seeks protection for her young daughter, Kara, believing the extraterrestrials are bent on abducting the gifted nine-year-old as they did Sarah’s husband three years earlier. When the four are brought together by Ethan, a mysterious stranger, Peter and Sarah wrestle with their own beliefs as Josh seeks to convince them of the truth. It becomes clear that Kara has a very special gift-one that can expose the true nature of the extraterrestrials.
In the year 2159, two classes of people exist: the very wealthy who live on a pristine man-made space station called Elysium, and the rest, who live on an overpopulated, ruined Earth. Secretary Rhodes (Jodie Foster), a hard line government ofﬁcial, will stop at nothing to enforce anti-immigration laws and preserve the luxurious lifestyle of the citizens of Elysium. That doesn’t stop the people of Earth from trying to get in, by any means they can. When unlucky Max (Matt Damon) is backed into a corner, he agrees to take on a daunting mission that, if successful, will not only save his life, but could bring equality to these polarized worlds.
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.
In the back streets of a tourist town in present-day Southeast Asia, we find a filthy cinder block room; a bed with soiled sheets; a little girl waits for the next man. Alex (Dermot Mulroney), a human trafficking investigator, plays the role of her next customer as he negotiates with the pimp for the use of the child. Claire (Mira Sorvino), Alex’s wife, is caught up in the flow of her new life in Southeast Asia and her role as a volunteer in an aftercare shelter for rescued girls where lives of local neighborhood girl’s freedoms and dignity are threatened. Parallel story lines intertwine and unfold twists against the backdrop of the dangerous human trafficking world, in a story of struggle, life, hope and redemption in the “TRADE of INNOCENTS.”
An unsettling feeling overwhelms a small Hungarian town when two orthodox Jews arrive with a mysterious trunk. As residents begin to speculate on the purpose of the visit of these two strangers, order starts to crumble in town with some pursuing devious plans and others finding remorse in their hearts.
Ex-cons Victor and Rico have masterminded a foolproof plan to abduct millonaires’ daughter Laura Temming. When she is kidnapped and placed in a remote and soundproofed room, gradually the power relations shift. Exactly who is the perpetrator and who is the real victim?