The human stories and drama behind America’s involvement in Afghanistan, now the longest war in U.S. history. First-hand witnesses — ranging from U.S. intelligence operatives, to soldiers and their families, Afghan officials, journalists, top government and military officials — bring their experiences to life through emotional interviews.
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Set in 1991 on the inner-city streets of Oakland, California, cocaine dealer Charles Cosby has his life is changed forever when he writes a fan letter to the “Cocaine Godmother” Griselda Blanco, who is serving time at a nearby federal prison. Six months later, Cosby is a multi-millionaire, Blanco’s lover, and the head of her $40 million a year cocaine business.
Joaquim Pinto has been living with HIV and VHC for almost twenty years. “What now? Remind Me” is the notebook of a year of clinical studies with toxic, mind altering drugs as yet unapproved. An open and eclectic reflection on time and memory, on epidemics and globalization, on survival beyond all expectations, on dissent and absolute love. In a to-and-fro between present and past memories, the film is also a tribute to friends departed and those who remain.
A documentary about the legendary series of nationally televised debates in 1968 between two great public intellectuals, the liberal Gore Vidal and the conservative William F. Buckley Jr. Intended as commentary on the issues of their day, these vitriolic and explosive encounters came to define the modern era of public discourse in the media, marking the big bang moment of our contemporary media landscape when spectacle trumped content and argument replaced substance. Best of Enemies delves into the entangled biographies of these two great thinkers and luxuriates in the language and the theater of their debates, begging the question, ‘What has television done to the way we discuss politics in our democracy today?’
Six strangers meet in Hong Kong for a three week no-budget film shoot, full of enthusiasm for the project. But as time wears on cracks begin to show as tight schedules, cramped conditions, location problems, personality clashes and the stress of shooting on the fly combine to put strain on the entire cast and crew. And it doesn’t help that nobody’s getting paid. As time passes they struggle to remember why they signed up in the first place, leading to reflections on the value of being a ‘starving artist’ and the limits of artistic integrity – and explosive confrontations that jeopardize the whole project.
The atomic bomb, the specter of a global nuclear holocaust, and disasters like Fukushima have made nuclear energy synonymous with the darkest nightmares of the modern world. But what if everyone has nuclear power wrong? What if people knew that there are reactors that are self-sustaining and fully controllable and ones that require no waste disposal? What if nuclear power is the only energy source that has the ability to stop climate change?
A documentary exploring the birth, death and resurrection of illustrated movie poster art. Through interviews with a number of key art personalities from the 70s and 80s, as well as many modern, alternative poster artists, “Twenty-Four by Thirty-Six” aims to answer the question: What happened to the illustrated movie poster? Where did it disappear to, and why? In the mid 2000s, filling the void left behind by Hollywood’s abandonment of illustrated movie posters, independent artists and galleries began selling limited edition, screenprinted posters — a movement that has quickly exploded into a booming industry with prints selling out online in seconds, inspiring Hollywood studios to take notice of illustration in movie posters once more.
In 1994, Sarajevo was a city under siege. Mortars and rocket propelled grenades rained onto the city, killing indiscriminately, every day. Amongst the madness, two United Nations personnel: a British military officer and another Brit working for the UN Fire Department, decided it would be fun to persuade a global rock star, Bruce Dickinson of Iron Maiden, to come and play a gig to the population. Scream for Me Sarajevo brings that story, in all its madness, to the big screen. A story of musicians who risked their lives to play a gig to people who risked their lives to live them.
Academy Award Winning Director, Daniel Junge (Saving Face) and director Bryan Storkel (Holy Rollers: The True Story of Card Counting Christians) team up with producers Eben Kostbar and Joseph McKelheer (The Hammer) for a feature documentary about the confluence of Christianity and mixed martial arts, including ministries which train fighters. The film follows several pastors and popular fighters in their quest to reconcile their faith with a sport that many consider violent and barbaric. Faith is tried and questions are raised. Can you really love your neighbor as yourself and then punch him in the face?
Artist and life-long nerd Johannes Grenzfurthner is taking us on a personal road trip from the West Coast to the East Coast of the USA, to introduce us to places and people that shaped and inspired his art and politics. Traceroute wants to chase and question the ghosts of nerddom’s past, present and future. An exhilarating tour de farce into the guts of trauma, obsession and cognitive capitalism. Features interviews with Matt Winston, Sandy Stone, Bruce Sterling, Jason Scott, Christina Agapakis, Trevor Paglen, Ryan Finnigan, Kit Stubbs, V. Vale, Sean Bonner, Allison Cameron, Josh Ellingson, Maggie Mayhem, Paolo Pedercini, Steve Tolin, Dan Wilcox, Jon Lebkowsky, Jan “Varka” Mulders, Adam Flynn, Abie Hadjitarkhani, Kelly Poots…
The November 13, 2015 terrorist attack in Paris claimed 130 lives around the city — 89 of them at the Eagles of Death Metal’s Bataclan Theatre concert. “Eagles of Death Metal: Nos Amis (Our Friends)” spotlights the American rock band as they recount their experiences before and after the tragic events. The film explores the deep bonds between band co-founders Jesse Hughes and Josh Homme (also a member of Queens of the Stone Age), as well as the intense connection the band has always had with its devoted fans, which moved them to return to Paris to perform once again in February 2016.