Wanting to leave their dystopian world behind for a faraway paradise, three outlaws plot a money heist — and draw the attention of a vicious killer.
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An urban hotel in London is a gathering and flash point for legal and illegal immigrants attempting to cobble together their lives in a new country. The immigrants include Senay, a Turkish woman, and a Nigerian doctor named Okwe who is working as a night porter at the hotel. The pair discover the hotel is a front for all sorts of clandestine activities. Their only wish is to avoid possible deportation. Okwe becomes more entangled in the goings on when he is called to fix a toilet in one of the rooms. He discovers the plumbing has been clogged by a human heart.
Baptista, a rich Paduan merchant, announces that his fair young daughter, Bianca, will remain unwed until her older sister, Katharina, a hellish shrew, has wed. Lucentio, a student and the son of a wealthy Pisan merchant, has fallen in love with Bianca. He poses as a tutor of music and poetry to gain entrance to the Baptista household and to be near Bianca. Meanwhile, Petruchio, a fortune-hunting scoundrel from Verona, arrives in Padua, hoping to capture a wealthy wife. Hortensio, another suitor of Bianca, directs Petruchio’s attention to Katharina. When Hortensio warns him about Katharina’s scolding tongue and fiery temper, Petruchio is challenged and resolves to capture her love. Hortensio and another suitor of Bianca, Gremio, agree to cover Petruchio’s costs as he pursues Katharina.
Mo Ali’s futuristic knife-crime drama brings the dystopian environment of CHILDREN OF MEN and DISTRICT 13 to London’s East 17. SHANK delivers a ruthless vision of forthcoming urban life, where guns have been superseded by knives and are fiercely wielded by aimless youths. Amidst the chaos is the Paper Chazers gang, a rare morally conscious group who trade scavenged food for money. After Chazers gang member, Junior (Kedar Williams-Stirling), witnesses his brother, murder he must decide whether to get revenge of stick to the gangs moral code… In this superbly paced and artistic film, present-day social issues, and murky city streets, provide a perfect canvas for imagination and action.
35-year-old Morris Bliss (Michael C. Hall) is clamped in the jaws of New York City inertia: he wants to travel but has no money; he needs a job but has no prospects; he still shares an apartment with his widowed father; and the premature death of his mother has left him emotionally walled up. When he finds himself wrapped up in an awkward relationship with Stephanie (Brie Larson), the 18-year-old daughter of a former classmate, Morris quickly discovers his static life unraveling and opening up in ways that are long overdue.
A military widow (Benz), whose faith in Christmas has lapsed, rents an apartment to a handsome Army Captain, recovering from an injury in battle, and whose faith in Christmas is inspirational. As they team up to save the town’s military museum with a Christmas fundraising event, these two ‘wounded birds’ find themselves falling in love — and being healed by the magic of Christmas.
When shark conservationist Dr. Misty Calhoun is invited to consult on a top-secret project run by pharmaceutical billionaire Carl Durant, she is shocked to learn that the company is using unpredictable and highly aggressive bull sharks as its test subjects, which soon break loose and cause havoc.
Abandoned, abused by the police and in the throes of withdrawal, Nadine, a drug addicted young prostitute, returns to her childhood home and the mother she ran away from. Nadine’s mother, Delilah; a fanatical Christian who believes demons have possessed her daughter, searches for a “cure” for Nadine’s erratic behavior. When she finds a rogue preacher willing to exorcise her daughter for a fee, neither realizes they have invited the devil into their home. While her mother turns a blind eye to the bizarre practices unfolding in her own home, Nadine, racked with mental and physical pain, has no choice but to put up with the preacher’s increasingly violent charade.
In a remote village in South India, three generations of sons react to the death of Century Gowda, their grandfather, a 101-year-old man. The three story lines intertwine before converging at Century Gowda’s “Thithi”, the final funeral celebration eleven days after a death.