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Maurice, a reticent young homeless man, somehow manages to get by in Brooklyn; he spends his nights in parked cars until he finds himself at Bizarre, an underground club renowned for its burlesque shows. Maurice is fascinated by the club’s playful revues celebrating self-determined sexuality and creative otherness, and the two female club owners both adore him. He soon becomes a part of their self-selected family, and begins to bond with introverted Luka. But Maurice turns his back on Luka’s growing affection. Running away from his true emotions he drifts aimlessly through the city. He tries to find his feet at a boxing club, where he meets Charlie. Unable to withstand the pressure of his repressed feelings, Maurice unleashes a mounting foment of emotions, pervaded by tenderness and menace.
Sophie, a quiet and shy maid working for the upper-class family Lelievre, hides her illiteracy under the cloak of a perfect household and obedience. She finds a friend in the energetic and uncompromising postmaster Jeanne, who encourages her to stand up against her bourgeois employers. Things start to escalate as the Lelievres find out that Sophie can’t read and has brought Jeanne into their house against their wish.
Three assassins deal with life, love, addiction and trust as each tries to find the answers to a better life. Together, they prove to be the most trustworthy in this tangled web of murder, greed, friendship and betrayal.
Set in a small town in the backwoods of Kentucky, RED RIVER tells the tale of Roland Thatcher: a family man, a business man, a man of God…and a man who doesn’t take kindly to strangers. When a group of city kids sets up camp on the outskirts of his property, they spark a chain of events culminating in bloodshed, dismemberment and mass murder. As a local, fledgling reporter inches closer to the Thatcher property, the shocking truth about Roland and his ‘family’ may finally emerge…
When soldier Robin happens upon the dying Robert of Loxley, he promises to return the man’s sword to his family in Nottingham. There, he assumes Robert’s identity; romances his widow, Marion; and draws the ire of the town’s sheriff and King John’s henchman, Godfrey.
While running a travel agency in Macau, Ji-yeon is ripped off by her business partner. One day, the attractive and benevolent Sung-yeol gives her an irresistible offer: $5,000 monthly salary to live on a luxurious yacht and be the personal care aide of the owner of Cenado, a prominent shipping and casino operator company. Without another option to fall back on, she complies and nurses the ailing man, who is impossible to deal with. Ji-yeon slowly gains the attention of both Sung-yeol and the magnate, and wavers between an opportunity that will secure her future and love. As tension rises among these figures on the yacht, no one can predict its outcome.
What does it mean to lead men in war? What does it mean to come home? Hell and Back Again is a cinematically revolutionary film that asks and answers these questions with a power and intimacy no previous film about the conflict in Afghanistan has been able to achieve. It is a masterpiece in the cinema of war.
Shizuka is the aristocratic wife of the president of a large company. When she wants to divorce her domineering husband, he orders his employee Yoshi, the son of an adult toy store owner, to train his wife to become sexually submissive. Yoshi has been rendered impotent due to a childhood trauma resulting from his killing a black American soldier who had been having sexual relations with his mother. During the course of his training of the masochist Shizuka, Yoshi recovers from his affliction.
Special agent 007 (Sean Connery) comes face to face with one of the most notorious villains of all time, and now he must outwit and outgun the powerful tycoon to prevent him from cashing in on a devious scheme to raid Fort Knox — and obliterate the world’s economy.