When the last factory in a small Rust Belt town closes its doors, an unlikely hero emerges in dutiful, quiet Allery Parkes. A career employee of the factory, the aging Allery can’t reconcile how to live a life simply sitting at home doing nothing. Against the advice and pleas of his loving wife Iola, he forms an unlikely friendship with his charismatic neighbor Walter Brewer in order to revive the defunct factory.
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An old firm leader returns to Green Street for Revanche after receiving a call that his little brother was killed, but is he able to cope with a new type of hooliganism and can he find his killer?
The great Chicago White Sox team of 1919 is the saddest team to ever win a pennent. The team is bitter at their penny pincher owner, Charles Comiskey, and at their own teammates. Gamblers take advantage of this opportunity to offer some players $ to throw the series (Most of the players didn’t get as much as promised.) But Buck Weaver and the great Shoeless Joe Jackson turn back at the last minute to try and play their best. The Sox actually almost come back from a 3-1 deficit. 2 years later, the truth breaks out and the Sox are sued on multiple accounts. They are found innocent by the jury but baseball commissioner Landis has other plans. The eight players are suspended for life, and Buck Weaver, for the rest of his life, tries to clear his name.
Monica is the former lead singer of the three-girl group “Illicit” who were once an R&B powerhouse. She went on to have a less than stellar solo career but now feels there is something missing. When she reunites with her former group members, they try to show her that God is the answer to her plaguing questions and also the power in gospel music. Monica, on the verge of ending a loveless relationship, must decide if she is ready for the upheaval that her girlfriends suggest. The movie soars with love, gospel music and redemption. Written by Paul D. Hannah
An absurdist, surrealistic and shocking pitch-black comedy, which moves freely from nightmare to fantasy to hilariously deadpan humour as it muses on man’s perpetual inhumanity to man.
Between getting trashed, tripping, blowing guys off and writing songs, Mark falls for Stephen. Fig and Sally put perform Marks songs between casual sex with anyone and everyone. Katie is a few-hit wonder who hit rock-bottom in L.A and returns to New Zealand to patch her life back together. Stephen, Mark and Katie branch out for a slumber party at a beach house of their better days. Fig and Sally arrive, and not long after Eddie arrives also (Katies American guy). Mark stops running away from Stephens love, Katie and Eddie get engaged and Fig and Sally … have sex?
Bedrooms tells a story about the walls that separate people, the heartbreak and infidelity that’s often the result and the redemption that comes from tearing those walls down. The film is told in 4 stories by 3 filmmakers. Three of the stories deal with married couples of various ages confronting the turning points of their relationships. A fourth story is interwoven throughout, providing bookends and context in the form of a story about ten year old twins, who, tired of sharing their bedroom set out to build a wall between their beds to create their own spaces. In building the wall to separate, they come to fully appreciate all things that connect them. Bedrooms explores human relationships, their myriad complications and the daily choice we face to either make them work or to move on.
A haunting portrait of a down and out comedian, part tale of redemption, love story and classic America family saga. A slice of life straight from the glass that cuts us.
Like a young bird yet to find the courage to lift its wings, Fúsi (43) lives alone with his mother, where they’ve always lived.
Separation concerns the inner life of a woman during a period of breakdown – marital, and possibly mental. Her past and (possible?) future are revealed through a fragmented but brilliantly achieved and often humorous narrative, in which dreams and desires are as real as the ‘swinging’ London (complete with Procul Harum music and Mark Boyle light show) of the film’s setting.
