Xane, an immortal vampire, returns to the past to save his former self, Titus. Xane must rescue Titus and stop him from inheriting the curse. Xane is able to save his loved ones, but the broad strokes of time cannot be altered.
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In this coming-of-age comedy, Tim Dunphy is leading a go-nowhere existence, spending his days smoking pot and hanging out with his best friend, Drugs Delaney. But Tim’s lazy days of getting high are jettisoned after a brush with the law convinces his blue-collar dad to send him to a Connecticut prep school. The one saving grace of the new school is Jane, a fellow student Tim falls for immediately.
Jim Henson’s Turkey Hollow follows a family who goes on a hunt for a Bigfoot-like creature called the Howling Hoodoo during a visit to the house of their kooky aunt (played by Last Man on Earth’s Mary Steenburgen). The Howling Hoodoo itself is difficult to find, but they come across some other monsters in the woods that they didn’t even know they were looking for.
Mizuki’s husband Yusuke went missing for 3 years. He suddenly comes back home one day and asks Mizuki to go on a trip with him. Their trip consists of visiting the people that helped Yusuke on his previous travel. While travelling together, Misuki sees, touches and feels what Yusuke did for those 3 years.
STEPPING OUT Sima, while stunningly beautiful, has failed to fulfill her dreams as a professional dancer. She is on the wrong side of thirty, being aged out, and is forced to take a job as a teacher at a conservative local high school. Much to her surprise, it sparks the choreographer in her — a talent she has been nurturing in private not only to battle her self-doubt and depression but to create a new and unique fusion of belly and ballroom styles.
In 1892 Lizzie Borden lives a quiet life in Massachusetts under the strict rules established by her father. Lizzie finds a kindred spirit in the live-in maid, Bridget, and friendship soon blossoms into a secret romance. But tension mounts in the Borden household, leading to a violent breaking point.
Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.
Michael Paré stars as Eddie Wilson of the rock band Eddie and Cruisers. The band is at the height of their career in the 1960s when front man Eddie drives his car off a bridge in an apparent suicide — but the body was never found.